Rasga Mortalha comes from the legend of the owl “Suindara” – much told in the folklore of the North and Northeast of Brasil – to address the socio-political urgencies of the country. It is believed that the appearance of its white figure, followed by the wild cry – which resembles the sound of a cloth being torn in half – carries with it the sign of death. As a metaphorical vector for thinking, and also transcending, a fatalistic view of Brasilian history, the artist uses this popular tradition to cross centuries of public events with memories, references and personal imaginations, creating a charged and sharp narrative.
Rasga Mortalha
